Nayda Collazo-Llorens in”How Far Is In-Between” – Repeating Islands


Nayda Collazo-Llorens (Puerto Rico) joins Lisa Beck, Popel Coumou, and Dona Nelson within the exhibition “How Far Is In-Between.” The exhibition, which opened on April 2, stays on view via Might 7, 2022, at Keijsers Koning gallery area (at 214 Tasks, 150 Manufacturing Road, Suite 214) Dallas, Texas.

Description: “How Far Is In-Between” is a gaggle exhibition of 4 feminine artists utilizing abstraction as a kind to find the planes of composition via kind, mild, and construction. The exhibit will characteristic the works by Lisa Beck, Nayda Collazo-Llorens, Popel Coumou, and Dona Nelson. Whereas working in several mediums from portray, collage, sculptural to pictures the artists specific their view via rhythm and kind.

Beck will discover and emphasize the inherent qualities of the supplies used, together with the shapes that give the impression of a celestial panorama. The class of the colours is contrasted with the brute presence of supplies similar to burlap and crushed steel that permit for the play of management and the uncontrollable to work together. The interplay of opposites is a basic theme inside her work, as she makes use of it to push past the confines of the construction of a canvas.

Collazo-Llorens is engaged in an interdisciplinary follow incorporating a number of mediums and techniques. The works which might be chosen for this exhibition convey collectively the sentiment of management and the natural. A visible exploration on the complexities of the thoughts and the fragmented method, during which individuals understand the world round them.

Coumou work evokes a way of area that’s recognizable, but illusionistic. She makes use of onerous strains of abstraction and performs with shadows and lightweight to kind a brand new universe that evokes a way of area and triggers the imaginative. Her constructions query the notion of the fabric and pushes the senses previous the flat and inert materials it’s constructed from.

Nelson takes on the canvas and makes use of its construction as a device permitting her to discover the fabric interdependence of the “entrance” and the “again” of her work. The result’s an expressive second of shade and mark making, throwing within the wind any assumption the viewer could have about how these work are approached. Nelson defines and directs her work, and the viewers turns into a part of its entanglement with humor, sensitivity, and brutal honesty.

[Detail of “Geo Dis/connect #2” by Nayda Collazo-Llorens.]

For extra data, see https://dallas.culturemap.com/eventdetail/keijsers-koning-presents-how-far-between-opening/



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