“Aquí me quedo / Right here I Keep” – Repeating Islands


“Aquí me quedo/Right here I Keep,” that includes art work by Sila Chanto and Belkis Ramírez, and curated by Miguel A. López, has been on view on the Institute for Modern Artwork (Virginia Commonwealth College) in Richmond, Virginia, since Could 6, and stays on view till June 19, 2022.

Overview: Aquí me quedo/Right here I Keep is an exhibition that includes the work of Sila Chanto (Costa Rica, 1969-2015) and Belkis Ramírez (Dominican Republic, 1957-2019). Chanto, starting within the Nineteen Nineties, and Ramírez, starting within the Eighties, radically remodeled the language of printmaking. By introducing experimental strategies, each ladies superior new methods of discussing the physique, energy relations, structure, patriarchal violence, and environmental points in deeply conservative and racist societies. This present is the primary worldwide revision of each artists’ works after their passing in 2015 and 2018, respectively.

This exhibition proposes a dialog between these two distinguished artists from Central America and the Caribbean, stressing their exceptional intervention into misogynistic programs and male-dominant narratives. Their prolific our bodies of labor embody drawings, installations, work, movies, and revolutionary prints utilizing paper, cloth, and wooden. The exhibition highlights their exploration of determine and kind in addition to sample and texture.

Chanto’s revolutionary printmaking strategies concerned scale, materials, and set up beforehand unimagined for the shape. Her work highlighted the physique’s mark on the world by incorporating embodied recollections onto public areas. She portrayed ghostly imprints that deal with disenfranchisement and belonging, in addition to the perishable and fragile nature of life.

In distinction, Ramírez’s printmaking and wooden engraving usually used summary patterning to discover the vulnerability of the physique. Utilizing life-size human figures, her work additionally investigated gender stereotypes, sexual harassment in opposition to ladies, and the emotional and bodily ramifications of migration and the illustration of Caribbean our bodies at giant.

Each artists tended to work in large-scale prints and installations, usually that includes life-size figures in compositions crucial of male-dominated social narratives. Their works, emphasizing feminism and political dissent, introduced the implications of those patriarchal societies to mild for the viewer to know their function in upholding such buildings.

Free and open to the general public
601 W Broad St, Richmond, VA 23220
ica@vcu.edu | 804.828.2823

For extra data, see https://icavcu.org/exhibitions/aqui-me-quedo-here-i-stay/

[Shown above: Sila Chanto, “Retrato de grupo homoerótico filial,” 2002.]



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