On view at Okay Up to date (1412 Wazee Avenue, Denver, Colorado) is “Taking Up House,” curated by Doug Kacena, proprietor of the gallery. This exhibition shall be on view via April 29, 2023. The total title of the article excerpted beneath is “Okay Up to date is internet hosting an exhibition about Latin American, Caribbean diasporas, colonialism and reclamation of house.” For full article and images, see Isaac Vargas on the Denverite. [Many thanks to Peter Jordens for bringing this item to our attention. See previous post Art Exhibition: Taking Up Space.]
A pop-up exhibition known as “Taking Up House,” opens at Okay Up to date’s (1412 Wazee St) Tuesday night time. The exhibit, organized to coincide with the inaugural Cities Summit of Americas, will function the work of eight artists addressing matters of Latin and Caribbean tradition associated to colonialism, diaspora, inequity and the reclamation of house. [. . .] The gallery is free, open to the general public and can run via Saturday, April 29. Gallery hours are Tuesday via Friday, 12 p.m. to six p.m. and Saturday 12 p.m. to five p.m.
The exhibition will function “Ikebana” (2019), an inflatable sculpture created by Cuban-born, Mexico Metropolis-based artist, Angel Ricardo Ricardo Rios, that swallows your entire gallery house and invitations guests to discover the playful, summary vegetation.
The ground-to-ceiling and wall-to-wall sculpture seemingly brings the magic of out of doors artwork indoors. Titled after the centuries-old Japanese artwork of arranging flowers, or making flowers come alive, the inflatable large is a playful depiction of botanical vegetation. [. . .]
The edges of Souto’s triptych drawings known as “Diaspora” (2022) are symbolic of walkways within Simón Bolívar Worldwide Airport, situated simply exterior of the capital metropolis of Caracas, Venezuela. It’s supposed for these conversant in the identical sample, prevalent in an area that’s meant for Venezuelans each leaving and returning residence. The Venezuelan artists’ beautiful colored-pencil drawings are of three piles of laundry, symbolic of the gadgets left behind by hundreds of thousands of Venezuelan refugees, mounted in small panels that give it an orange neon reflection off the white wall on which it hangs.
Martiel’s “Encomienda” (2020) is on the other wall, displaying Martiel’s nude bottom whereas he kneels on a map of South America, dealing with the wall of North America’s map. The queer and Afro-Latinx Cuban efficiency and set up artist is recognized for pushing the boundaries of efficiency artwork to deliver into gentle the horrors of immigration, racism and the abuse of energy. [. . .]
For full article, see https://denverite.com/2023/04/24/k-contemporary-cities-summit-of-the-americas-exhibit
[Shown above: Angel Ricardo Ricardo Rios’ inflatable sculpture, “Ikebana,” created by the Cuban-born, Mexico City-based artist and on display at K Contemporary. Photo courtesy of K Contemporary.]
For extra info on the exhibit, see https://kcontemporaryart.com/present/k-contemporary-taking-up-space—a-selection-of-contemporary-latin-american-art-in-conjunc
Additionally https://www.fb.com/kcontemporary (April 22, 2023 submit)