Remy Jungerman (Right now) – Repeating Islands


Remy Jungerman in Dialog as we speak (August 4, 2022) on the Katonah Museum of Artwork from 5:30 to 7:00pm. The artist will talk about his solo present “Larger Floor.” “Larger Floor” is on view at Katonah Artwork Museum till September 24, 2022.

Remy Jungerman: Larger Floor will deal with current works by Suriname-born Dutch artist Remy Jungerman (b. 1959), who lives and works in Amsterdam and New York. The exhibition features a choice from Jungerman’s three main our bodies of labor: wall-hung or free-standing three-dimensional assemblages (which the artist calls “horizontals” and “verticals”), stacked “cubes,” and fabric-covered “panels.” By way of these self-imposed formal constraints, in addition to a restricted vocabulary of carefully-chosen supplies, Jungerman explores connections between sample and image in Surinamese Maroon tradition and European “modernism.”

As an example, “Horizontals” are composed of slats of various size, width, and colour, stacked atop each other and topped with small panels skim-coated with kaolin, a white clay from the artist’s native Suriname. Each abstracted altars and compositions that recall the orthogonal aesthetics of Dutch De Stijl, these constructions, like all of Jungerman’s carefully-considered works, draw seemingly disparate visible and cultural languages into dialog with each other. By way of these works, Jungerman additionally poses a problem to established artwork historic hierarchies the canon’s age-old denigration of non-Western artwork.

Jungerman represented the Netherlands on the 2019 Venice Biennale with Iris Kensmil. In 2017 he was nominated for the Black Achievement Award in The Netherlands. In 2008 he obtained the Fritschy Tradition Award from the Museum het Domein, Sittard, The Netherlands. Jungerman is the topic of a profession survey present on the Stedelijk Museum, Remy Jungerman: Behind the Forest (November 20, 2021-April 10, 2022). The artist is represented by Fridman Gallery in New York, which organized Sensible Corners, Jungerman’s first solo exhibition in america (April 7 – Might 15, 2021). The place the River Runs, a complete monograph of Jungerman’s work, was revealed by Jap Sam Books in 2020.

Jungerman’s exhibition Larger Floor might be sited within the KMA’s spacious Atrium, in addition to within the Museum’s undertaking gallery, an area for revolutionary modern installations. His work can even be put in dialogue with the KMA’s most important summer season exhibition, Custom Interrupted. Comprised of twenty-three artworks and installations in all kinds of media, from metalwork and ceramics to rugs and mosaics, Custom Interrupted explores the work of worldwide artists who merge conventional craft with modern concepts and processes. Jungerman’s assemblages and sculptures will subsequently be proven side-by-side with artworks by a number of the most essential worldwide artists working as we speak, together with Anila Quayyum Agha, Dinh Q. Lê, and Faig Ahmed. 

Remy Jungerman (1959) lives and works in Amsterdam. He attended the Academy for Larger Arts and Cultural Research in Paramaribo, Surinam, earlier than shifting to Amsterdam the place he studied on the Gerrit Rietveld Academy.

In his work, Jungerman explores the intersection of sample and image in Surinamese Maroon tradition, the bigger African diaspora, and twentieth century Modernism. Inserting fragments of Maroon textiles and different supplies discovered within the African diaspora—the kaolin clay utilized in a number of spiritual traditions or the nails featured in Nkisi Nkondi energy sculpture—in direct contact with supplies and imagery drawn from extra “established” artwork traditions, Jungerman presents a peripheral imaginative and prescient that enriches our perspective on artwork historical past.

In 2022 Jungerman obtained the A.H. Heineken Prize for Artwork, the most important visible artwork prize within the Netherlands.

From November 20, 2021 – April 10, 2022 he was the topic of a profession survey present on the Stedelijk Museum, Amsterdam titled Remy Jungerman: Behind the Forest. In 2019 he represented the Netherlands on the 58th Venice Biennale in 2019. In 2017 he was nominated for the Black Achievement Award in The Netherlands. In 2008 he obtained the Fritschy Tradition Award from the Museum het Domein, Sittard, The Netherlands.

Jungerman is co-founder and curator of the Wakaman Mission, drawing Traces – connecting dots. Wakaman, which implies “strolling man,” was born out of a need to look at the place of visible artists of Surinamese origin and to boost their profile(s) on the worldwide stage. [. . .]

[Photography Onwhitewall – Artwork Documentation. The artist made a series of small panels 4.7 X 4.7 in. (12 x 12 cm) titled Pimba SAMBURA “that allow viewer to focus more closely on the materials and details of texture.”]



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